HEXAGON PRESS

Tag: Hexagon Press

SUBMISSIONS FOR BROADSIDE ISSUE 1: CONTRA EQUUS NIVEUS ARE NOW CLOSED

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Amidst a wealth of submissions we are pleased to announce our selection of Watcher in the East by Ronnie Smith as the first published poem in our broadside series, Contra Equus Niveus. Resulting from said discovery, we have closed our first open call and turn our attention toward presenting his poem in the brightest light our enterprise may hope to muster, and look to opening our call for submissions for the second broadside which will gather a handful of authors and artists upon a single cardstock page.

We extend our warmest thanks to all who submitted their work and we hope this abundance may water the fields of future issues.

CONTRA EQUUS NIVEUS: CALL FOR SUBMISSIONS

●  C O N T R A   E Q U U S   N I V E U S  ●
BROADSIDE SERIES: CALL FOR SUBMISSIONS

FOR IMMEDIATE RELEASE

Hexagon Press is pleased to announce a new broadside series entitled “CONTRA EQUUS NIVEUS” (“Against the White Horse”), a poetic attempt to advance our sight beyond the imaginative blockade of what the prophet Ezekiel and the poet Blake called the “Covering Cherub,” through publishing single compositions that act against the imposing egoism and phenomenological limitations of our fallen world. As an attempt to defeat that age-old conqueror, we now consider the first Horseman of the Apocalypse riding gloriously into the empire he has both built himself and was sent to destroy.

Broadside I: “CONTRA EQUUS NIVEUS”

And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer. (Revelation 6:2)

Though endless interpretations of this Biblical passage are extant, both historical and futurist, we propose that the White Horse rides among us today. It is MASS CULTURE. Called by many names in the sphere of critical resistance (the Spectacle, the Matrix, the Symbolic Order, the Big Other, Simulacra, Capital, The Military Industrial Complex, Hollywood, the Music Industry, et al.), we have all been lulled to sleep by its rider’s white robes and crown falsely denoting innocence and authority. Though the White Horse’s hoof crashes seem to drown out all other sound, the poet is charged with carving a silent space in which real thought may explore itself.

PLEASE INTERPRET AS YOU SEE FIT, LESSENING DEPENDENCE ON
THE LETTER TO RETAIN THE SPIRIT IF NEED BE. YOU ARE FREE.

Submission Guidelines:

Up to three poems, no more than one page each.

Up to three prose pieces, no more than 300 words each.

Visuals may accompany text, including original artwork, but are not required.

Please include a short biographical statement with each submission.

Email all submissions as attachments (.doc or .pdf only) to hexagonpoetics@gmail.com.

This series will be published sporadically, as the right work presents itself. Broadsheet Number One will be printed in an addition of 200, individually numbered, 8.5″ x 5.5″, cardstock sheets.

Sincerely,

Hexagon Press

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ON SILENCE, THE IMAGE, AND NEGATIVE DIALECTICS

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Adorno_Slide1“America…is inevitably the most millenarian of all nations, even though so far it has avoided the two extremes of modern millennarianism, fascism and Marxist-Leninism.” -Harold Bloom, Omens of Millennium

 

 

Adorno_Slide3“Silence has been banished from the world today.” -Max Picard, The World of Silence

 

 

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Predators 1

Anonymous “street art,” corner of 14th St. & Folsom St, San Francisco

Predators 2“The time seen through the image is a time lost from view. Being and time are quite different. The image sparkles eternal, when it has exceeded being and time.” -Rene Char, Leaves of Hypnos??????????????

Sickness unto Death World of Silence

 

 

 

 

 

 

 

“Too many things crowd in on man today, too many images press in upon his soul. There is no more silent peace in the soul, only a silent lack of peace.” -Max Picard, The World of Silence

 

“The spectacle is a drug for slaves.” -Guy Debord

 

-The Editors, June 2014

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TO THE CHURCH IN THE WILDERNESS:

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The trees provided a solemn cover

for the church weeping in its stony slump,

its buttresses are like broken twigs

covered in a mossy substance nestled

with ferns completing their arc.

For nature stayed beside the remains

and laid its textured hands on the colored

glass and prayed over the painted

folds in the minor prophet’s tunic.

The sun has set behind the western gate.

In the pines I saw their arms fall off and many

others surrounding the vessels are seeding

into the earth to anticipate the great harvest.

The branching of the leaves, the branching

of their veins beneath their waxen skin,

means they are meek and impressionable.

HAARP ISSUE 3 RELEASE EVENT & POETRY READING AT ADOBE BOOKS

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HAARP: A Reading on the Penultimate Eve of the Possible

Presented by Hexagon Press & The SOMETHING

Thursday, May 22nd, 8-10pm

Adobe Books + Arts Cooperative  |  3130 24th Street San Francisco CA 94110

Featuring readings by:

James Bradley  |  Nicola Buffa  |  Irena Contreras  |  Brittany Ham  |  Cara Levine  |  Clare Rickman  |  Raphael Noz  |  Jennine Scarboro  |  Ben Vilmain  |  & others TBA

HEXAGON PRESS AFTER THE RAIN

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HAARP FINAL ISSUE: CALL FOR SUBMISSIONS

HAARP
A Literary Journal

FINAL ISSUE: CALL FOR SUBMISSIONS

FOR IMMEDIATE RELEASE

In conjunction with the Berkeley Art Museum & Pacific Film Archive’s continuing exhibition “The Possible” (January 29, 2014-May 25, 2014), Hexagon Press, literary extension of The Something, announces an open call for the third and final issue of HAARP:

“THE DOVE AND THE CROW”

In late January, just as The Possible was opening its synecdochic doors to the world, Pope Francis, in a gesture of peace for a troubled Ukraine, released a white dove from his window overlooking St. Peter’s Square. The dove was immediately attacked in midair by a black crow, casting a shadow over the hearts of those who watched the dove’s helpless absorption into the crow’s sharp form, like light into a black hole. With the horrified crowd, we seek to draw meaning from this aerial foreboding.

HAARP (High-Frequency Active Auroral Research Program) turns its attention now, as The Possible exhausts itself, to the topic of omens, signs, prophecies, and their symbolic manifestations appearing to a world of false promises and ill-conceived utopias. We seek work which aspires to understand this dualism, this double-helix we call “the dove and the crow,” a movement of darkness overtaking the light. We ask that all submissions be received by May 15, 2014.

Submission Guidelines:

Previously unpublished works only (exceptions may be made for highly-relevant pieces).

4-6 poems of any length, but no more than 12 pages total; or up to 3 prose pieces totalling 5,000 words.

All genres and forms accepted. We encourage lamentation, beauty, alinguistics.

Please include a short (50 words or less) third-person bio.

Email all submissions (as attachments, .doc or .pdf only) and queries to hexagonpress@outlook.com.

HAARP is printed and bound with the Risograph machine and other resources made available through the print shop which is part of “The Possible” exhibition. The third issue will be released at a reading event at Adobe Books + Arts Cooperative in San Francisco on May 22nd, 2014, 8-10pm.

Sincerely,

HAARP

“MIRRORS OF AZAZEL” CHAPBOOK NOW AVAILABLE

????????????????????????????????????????????????????????????????????????The chapbook “Mirrors of Azazel: A Post-Diluvian Journal” by James Bradley is now available to order from our website. Fallen Ones, crawl out from under your dark stones and confess your crimes.  Click here for details.

 

THE MIND CONTROL ISSUE: CALL FOR SUBMISSIONS

HAARP

A Literary Journal

ISSUE NUMBER TWO: CALL FOR SUBMISSIONS

FOR IMMEDIATE RELEASE

In conjunction with the Berkeley Art Museum & Pacific Film Archive’s continuing exhibition “The Possible” (January 29, 2014-May 25, 2014), Hexagon Press, literary extension of The Something, announces an open call for the second issue of HAARP:

“THE MIND CONTROL ISSUE;”

being a poetic investigation into the forbidden world of PsyOps, MKULTRA, Manchurian Candidates, light/dark dualism, Satanic Ritual Abuse, Dissociative Identity Disorder, monarch butterflies, alternate consciousness, Mouseketeers, subliminals, triggers, alpha rays, mainstream media, and any and all symptoms or adverse reactions stemming therefrom. The illusive “VALIS” in everyday experience.

HAARP (High-Frequency Active Auroral Research Program) understands the seriousness of this topic, and the sustained rumination it deserves, nevertheless, it is also understood that time is not our ally in this battle upon the astral plane, therefore we ask that all submissions be received by April 15th.

Submission Guidelines:

Previously unpublished works only (exceptions may be made for highly-relevant pieces).

4-6 poems of any length, but no more than 12 pages total; or up to 3 prose pieces of 5,000 words or less each.

All genres and forms accepted. We encourage psychosomatic exploration, non-objectivity, mysticism. Please include a short (50 words or less) third-person bio.

Email all submissions (as attachments, .doc or .pdf only) and queries to hexagonpress@outlook.com.

HAARP is printed and bound with the Risograph machine and other resources made available through the print shop which is part of “The Possible” exhibition. The release of issue two is scheduled to coincide with The Something’s April 25th “L@TE” performance at 7:30pm at BAM/PFA.

Sincerely,

HAARP

https://hexagonpress.wordpress.com/

SUBMISSIONS FOR FIRST ISSUE OF HAARP ARE NOW CLOSED

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The submission deadline for the first issue of HAARP has passed, but we continue to accept & encourage submissions of poetry, prose, praxis & prophecy for a projected two more issues through the end of The Possible exhibition (late May 2014).

We weather the Post-Modern storm, the Perfect Storm, with provisions of symbol & image, of concept & intuition.

Many thanks, a thousand thanks, countless thanks to all who have submitted thus far; we will be contacting you shortly whether or not your piece(s) was/were accepted. We have received a wide array (pardon the pun) of quality writing & can only hope the spectrum will expand & deepen still further as the next two issues take shape.

The inaugural issue of HAARP is scheduled to roll hot & luminous off the presses of the Berkeley Art Museum’s cold construct on March 10, 2014.

Sincerely & With Utmost Warmth of Heart & Eye,

HAARP