Tag: Hypercube




Each of the six one-line poems presented in Vol. IV of Contra Equus Niveus serve as individual facets comprising a larger whole, just as individual cubes construct a hypercube and thus transcend physical representation. Our focus was on the cube and its evolution, beginning with the cross, as a basis for presenting the work of six poets. In a way, Vol. IV argues that, like poetry itself, the cube’s very form conveys a longing for greater dimensionality—beyond the shadows and colors cast by the sun of this realm. These six rays (it is our hope) converge into a brighter illumination, a gesture toward the geometries of even greater mysteries…

The whole, entitled Hypercube, is a brief sensorial digression, evenly weighted on six equal planes from which the imagery emerges and coexists, becoming greater than the sum of its parts. It is as if each side were rising out of the hazy drift that inhabits the first square. From there the poem discovers accidental dualities and contemplates the ocean until, at its closing plane, the face of time reveals to us its forever-disquietude. The poem’s sequence dissolves as the cube is erected and chance overtakes the order of each line’s appearance, as a seeming nod of recognition to the unsolvable nature of the greater mysteries…

Hexagon Press would like to thank each of the participating writers for their contributions, without whom, our concept would never have been granted its form.


The Editors,
Hexagon Press


James Bradley & Brittany Ham live and write and have their being in San Francisco, CA.

Marcella Durand’s chapbook, Rays of the Shadow, a collection of interlinked poems based on the alexandrine, is forthcoming this February from Tent Editions. Another chapbook, The Garden of M., translated by Olivier Brossard into French, will be published in a bilingual edition this December by Joca Seria Editions. She is currently a mentor in the Poetry Project’s Emerge-Surface-Be program and is translating Michele Metail’s book-length poem, Les horizons du sol (Earth’s Horizons).

Les Gottesman’s poems have appeared in several publications in print and online. He is the editor if Omerta Publications in San Francisco.

Ayaz Daryl Nielsen, veteran, hospice nurse, ex-roughneck (as on oil rigs) lives in Longmont, Colorado, USA. He is the editor of Bear Creek Haiku (26+ years/135+ issues) with poetry published worldwide.

Stuart Jay Silverman is an east coast expatriate retired from college/university teaching, He spends his home life in Hot Springs, Arkansas, and Chicago, Illinois. He has one book, The Complete Lost Poems: A Selection, and over 500 published poems in his quiver, which quivers too much and too often.

Bruce Thompson has a Ph.D. in philosophy and teaches philosophy at Palomar College on a more or less regular basis. He supported himself through college as a professional puppeteer and his shows included several tales of Robin Hood, St. George and the Dragon, and stories taken from fairy tale collections. He is a relatively well-known fixture at northern San Diego county open mic poetry readings and while he no longer performs with puppets professionally, he recently maintained a booth at the San Diego Makers’ Fair, where he gave instructions on the art of making puppets.

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Free copies of CONTRA EQUUS NIVEUS Vol. IV will soon be available at Adobe Books + Arts Cooperative, City Lights Bookstore, Dog Eared Books, Alley Cat Books, Modern Times Bookstore Collective, and Bound Together Anarchist Collective Bookstore in San Francisco. If you are outside of the Bay Area and would like a copy, write to us with your mailing address and we’ll send one free of charge, stock permitting.

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C O N T R A  E Q U U N I V E U S


The square is to the cube what the cube is to the hypercube, the form of which reaches beyond itself and steps into the fourth plane where we, beings incarnate in the third, cannot follow. Here lies the MYSTERY of the possibility of the transcendence of one’s own nature. In this spirit of mystery, Volume IV of Contra Equus Niveus will present six poetic works, each occupying one plane within the net of a six-sided polyhedron, a (three-dimensional) cube as yet un-enfolded taking the shape of a (two-dimensional) cross of six squares, the cube’s ancestral potentiality. We ask writers to submit single poetic lines only, aligned to this gesture, in the hope that your thought can become a brief illumination for one of these six sides.

The HYPERCUBE is a geometric phantasmagoria existing in this world only in theory. It is a mathematical expression of ulterior planes jutting outward and outside of our grasp. In the spiritual sense, it proceeds into the unknown and seeks to illustrate the great mysteries though patterned intersections and convergences. Geometry is a means of expressing the divine both in nature and beyond. Our focus is on the cube-rising of THE CROSS, and its ascendance into a realm beyond expression. The works selected for C.E.N. #4 will exist as six poems autonomous unto themselves, and also as a seventh, which constitutes the whole, titled “Hypercube.”

Submission Guidelines:

Poems of no more than one line in length, or an excerpt of no longer than one line from a larger work. To repeat: the basic unit of submission is one line of poetry, however various a line of poetry may be. Titles are not necessary. If submitting multiple lines, please number them for ease of reference.

Please include a short biographical statement with each submission.

Email all submissions as attachments (.doc or .pdf only) to hexagonpoetics@gmail.com.

Broadsheet Number Four will be printed in an addition of 200 individually numbered, cardstock sheets with instructions for forming the cube from the cross.


Hexagon Press

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